Connect with House musicians

I play the piano and saxophone, combine classical and electronic instruments in my music

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Thanks for checking out my profile! If you’re interested in working together, send me a message about your music or project.

Thanks for checking out my profile! If you’re interested in working together, send me a message about your music or project.

Thanks for checking out my profile! If you’re interested in working together, send me a message about your music or project.

Grew up in Nj. Always gravitated towards music especially the eq on my parents audio system when i was listening to motown and such. I like the creative process and try to balance the rest the best I can.

Thanks for checking out my profile! If you’re interested in working together, send me a message about your music or project.

Thanks for checking out my profile! If you’re interested in working together, send me a message about your music or project.

Thanks for checking out my profile! If you’re interested in working together, send me a message about your music or project.

‘Art, music and design have and always be central to my creative output and I hope even just a trickle of this comes out in the music you’re listening to.’ Garamond is the musical moniker of graphic designer Gareth Paul Jones. ‘I remember the day I was first given a Perception Rave flyer around 1989 by my then pony-tailed raving neighbour; holding the flyer I was taken with its futuristic dreamlike imagery, unlike anything I had seen before. I was in my second year of Secondary School at the time and having by now started Art and Craft, Design & Technology lessons (where we drew isometric trucks with Rotring pens), I was already beginning to fall in love with futuristic aesthetics in life. That Summer became a journey into rave culture as the music also began to take hold - a soundtrack to the rave culture visuals all around me.’ College and University quickly followed where his passion for music, DJing and dance culture continued to gather pace. During this time Gareth began to focus his skills towards typography within design and as he began to DJ more he realised he needed a name to perform under. It was at this point that someone casually suggested he should call myself ‘Garamond’ - a nickname that had arisen from the vague connection between the legendary typeface, his name and that he was focussing on the practice of typography within his studying. It was a great connection and it stuck. Eventually along came the opportunity to design his first album cover. ‘A live brief was given out by Nick Purser who was the in-house designer at Good Looking Records, which at the time was one of the leading labels riding the drum n' bass wave of success it enjoyed towards the end of the 90s. I didn't fit with many of the conventions at my Uni and whilst I felt outside their prescribed way of overly conceptual thinking, I knew I wanted to produce beautiful visuals for the record industry. A few badly produced covers using my fledgeling photoshop skills, a zip disc and jiffy bag (and a few interviews reminiscent of something out of the Sopranos) later I found myself working at Good Looking Records.’ A dream job straight from University doesn’t happen every day. But Gareth had now found himself working for his favourite record label and DJ all in one, at the very centre of the energy-filled drum n bass scene. Gareth’s true design and music education was now in full swing, working as an understudy to Nick who he looked to as his personal mentor in those early days. ‘Nick was absolutely the person who gave me the chance to prove myself and learn the craft of working in design and music. During that time I was lucky enough to also work as the in-house photographer at all the nights the label held at venues like The End, MOS, Cargo and the Bridge & Tunnel to name but a few. Along the way meeting world-famous DJs from all musical genres - another dream come true and something I have always been grateful for.’ It was during this time that he began to push his dance music envelope - moving from drum and bass to deep house - djing at a number of nights in and around London with various collectives, until eventually starting his own club night, Schnaffle. With two partners he ran a series of hot, intimate nights at the underground sweatbox that was ‘Public Life’, also known as ‘Jack the Ripper’s’ old toilet near the infamous ‘Ten Bells’ pub in Shoreditch. Eventually, the party came to an end as he decided to fully focus on his design career and music production in his spare time, with a view to making music that works equally at home or in the club. Music for the mind, body and soul.

I ride waves, produce electronic music, and eat al pastor tacos.

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WHATEVER IS GOOD FOR YOUR SOUL, DO THAT! As a DJ and Music Producer, Sabrina Tome hails out of Caxias do Sul, south of Brazil in the end of 90's to achieve what she always wanted : "I followed my dream to Europe to to do my Master in Sound Design and also, add more value in my carreer to become an outstanding E-Music Artist!". Everyday, with a lot of good vibes to share, I challenge myself to write a new lyrics, find best grooves and finally produce more delight tracks". "My energy is focused on my new project called "AHLMA" that means soul in portuguese." LIVE LIFE IN A TRACK Sabrina Tome is considered one of the most important female representative in the Brazilian's Electronic Music, her name is a strong exponent among the first women acting in the history of the scene. Among its awards deserves mention, the award for “Best DJ Woman in Brazil”, by DJMAG BRASIL magazine in 2016. BE INSPIRED BY EVERYTHING The Brazilian girl is an artist with a solid career and is recognized by expert critics. This "CARIUXA" - (a mix of "europeian style" and "Bossa Nova easy going way to live"), as she defines herself - marks her career with what has always offered the best: a strong personal magnetism, incredible feeling, excellent technique and a lot of love for music.

Drummer , played live shows and a few week tours in England from 2001/2016. I found a massive love for recording and producing within these years on 8 /16 track recorders to computers. As a self taught musician and producer I’ve always been very critical about my skills so i have always gave everything i could and all my energy to creating something people will vibe too. I believe that i can bring the best out of the people when i see there potential and then enjoy creating music together

Professional electronic music engineering - mixdowns & end-stage processing from a producer with 10+ years release experience on labels like Last Night On Earth & Anjunadeep. Home studio tracks made professional overnight - specializing in deep & melodic house.

Nick Jones is a New York/New Jersey-based worldwide known DJ, Remixer, and Music Producer with four decades of experience. Nick writes and produces music under the name The Nick Jones Experience.

The mouth who listens here to serve yall tunes that will hit your core with warmth and vibrations!

Denats has been Djing for over 20 years. Initially playing parties and gigs in Dublin and the UK. Following his relocation to Australia in Sydney at a number of venues including Sounds on Sunday, Le Panic, Sly Fox and Candy's Apartment. Now after a slight hiatus is back mixing and producing again. Keen lover of all types of house and techno. Upcoming release on Nomadism records.

Bonjour, Je suis Dj Anguelov, ce nom d'artiste me vient de ma défunte mère. C'est elle qui m'a donné le goût de la musique étant elle même musicienne et professeur de musique. Je me passionne de musique électronique depuis toujours. Mais avant de pouvoir passer derrière des platines j'ai été barman dans de nombreux bars et clubs. C'est dans les années 2000 que j'ai commercé à mixer grâce à mon métier de barman. J'ai très vite pris goût à faire danser les gens et c'est seulement depuis 2020 que j'ai commencé à composer ma propre musique. La house musique c'est ma passion et mon but est de la partager avec vous.

I can't write personal bio's. I can only hope that one day my music compensates for that. If you think you are better at music than me, hit me up. I have little knowledge.