Tokyo Idaho
About Tokyo Idaho
Contact me for a detailed PDF on how I can help you. Across my three agencies - spanning music, journalism and visuals/photography - I have worked for many of the largest brands on the planet. From hospitality giants like McDonalds to publication leaders like VICE and Noisey, to labels like MYER, Calvin Klein and so many more - my role as a manager, CEO, photographer and keen music producer marry perfectly in my blueprint on how to stop buying sample packs (the short game) and start your career (the long game). E: [email address removed] Having toured nationally and played around Australia in my younger years, I've since successfully run three agencies in various creative sectors, including journalism, photography and marketing and public relations. My spare time is saturated with music and my passion hasn't wavered, though many of my after hours are spent working with creatives in the visual and audio field to strategise entry and gain recognition in their careers. Having been lucky enough to break through in various creative channels - and even earn a spot on the front page of the National Financial Review for an innovative promotional campaign, my skillset (across three seperate yet similar industries) allows me a very unique perspective on the path to recognition. My work is centred around a playbook in which I share with clients, of which I only take on a case by case basis (if I can't help you - it's not your fault - I simply know what I can and can't handle). The book is a set of guidelines that were consistant across all my ventures. Truth be told, the next MIDI bundle, sample pack or preset heap won't work in the modern day. Why? It's a quick boost in a long haul. My ongoing work with clients bridges the importance of good music production with a guide on chain-linking that toward a renowned, top producer. This involves a consistent identity, branding, savvy distribution, digital footprint monitoring and - best of all - it's not expensive. My goal - unlike 2GB worth of loops and one shots - is to give you the tools to grow beyond my provisions. And you will. Contact me for specific information, clients and more. My studio can be yours, or we can work remotely. My playbook is segmented and many clients find they want certain sections but not others. It's that malleability that makes it so popular. Shoot me an email; you've got nothing to lose!
Contact me for a detailed PDF on how I can help you. Across my three agencies - spanning music, journalism and visuals/photography - I have worked for many of the largest brands on the planet. From hospitality giants like McDonalds to publication leaders like VICE and Noisey, to labels like MYER, Calvin Klein and so many more - my role as a manager, CEO, photographer and keen music producer marry perfectly in my blueprint on how to stop buying sample packs (the short game) and start your career (the long game). E: [email address removed] Having toured nationally and played around Australia in my younger years, I've since successfully run three agencies in various creative sectors, including journalism, photography and marketing and public relations. My spare time is saturated with music and my passion hasn't wavered, though many of my after hours are spent working with creatives in the visual and audio field to strategise entry and gain recognition in their careers. Having been lucky enough to break through in various creative channels - and even earn a spot on the front page of the National Financial Review for an innovative promotional campaign, my skillset (across three seperate yet similar industries) allows me a very unique perspective on the path to recognition. My work is centred around a playbook in which I share with clients, of which I only take on a case by case basis (if I can't help you - it's not your fault - I simply know what I can and can't handle). The book is a set of guidelines that were consistant across all my ventures. Truth be told, the next MIDI bundle, sample pack or preset heap won't work in the modern day. Why? It's a quick boost in a long haul. My ongoing work with clients bridges the importance of good music production with a guide on chain-linking that toward a renowned, top producer. This involves a consistent identity, branding, savvy distribution, digital footprint monitoring and - best of all - it's not expensive. My goal - unlike 2GB worth of loops and one shots - is to give you the tools to grow beyond my provisions. And you will. Contact me for specific information, clients and more. My studio can be yours, or we can work remotely. My playbook is segmented and many clients find they want certain sections but not others. It's that malleability that makes it so popular. Shoot me an email; you've got nothing to lose!