Connect with Engineers

Hey! I'm Jon, a mix engineer working professionally since 2013. I'm a specialist who will take the time and effort to understand what you're going for and help you get there. I'm at my best when I can make things big and bold, or delicate and pretty. I'd love to help you achieve the vision you have for your songs! I've mixed hundreds of releases with ~300 tracks completed in 2021.

You want the best of the best. Take it from an engineer who wants nothing but the same. After years of working as an engineer at Germano Studios | The Hit Factory, I have worked with big name clientele such as A$AP Ferg, Dominic Fike, Megan Thee Stallion, Idina Menzel and more. With years of experience in mixing, recording and a diversified background in music, I have gained the experience and knowledge in making your music stand out from the rest.

I’m a Los Angeles based mixer originally hailing from Toronto, Canada. Through unique attention and dedication to audio quality, I’ve worked as an engineer and/or mixer on JUNO Award winning albums from Emilie-Claire Barlow and Dean Brody, as well as Gold/Platinum releases from Bryan Adams, Matt Dusk, and Mia Martina. By always ensuring the music and artistic vision come first, I’ve developed a stellar reputation as artists rediscover the value of a dedicated mix engineer. With over a decade of experience working in recording studios, I have honed my craft to bring a dynamic and musical approach to mixing. By putting emphasis on enhancing the core of the production, my focus is to bring out the individuality that each artist and song has to offer. My ultimate goal is to help amplify the artist's message and to deliver the best results for my clients.

Recording engineer, producer and mixer. I've been lucky enough to work with talents of all ranges from superstar rock icons to local bands. All of that experience comes through in my work to help the artist achieve the best results possible.

I want to make your music sound better. Since 2015 I've been producing, mixing and recording music for a living. I have a bachelor's degree in music production from Linnaeus University. 2019 I was nominated for ISA Awards.

Radio ready mixes. Recent clients incl. Hak Baker, Animanz, Mehiga, Redhanded, Acolyte, and Sell By. Aussie Mixer, Engineer and Vocal Producer based in London, UK. I specialize in popular music genres, rock, pop, hip hop, soul and electronic music, but have also mixed for classical, opera, jazz, funk, blues and folk outfits. I've worked as an audio professional for over 14 years, and in that time I've been had the privilege to work on Gold Selling recording in Australia from the likes of Karnivool, Dead Letter Circus, Floating Me, COG and Birds of Tokyo. I've also been a staff engineer at Oaklands Productions, and had my own mix room in the renowned Sing Sing Recording Studios in Melbourne. I've always enjoyed working on varying styles of music, and I pride myself on delivering a mix that goes above and beyond expectations. I've been told I'm easy to work with; I'm also extremely motivated and I work hard to get the best results on every project I work on.

Mike Indovina is a recording, mixing, and mastering engineer who has worked with hundreds of artists in multiple genres ranging from punk, rock, pop, hip hop and more. With over 20 years of studio experience, he has gained a reputation as an engineer with a sharp attention to detail. He is also the author of a #1 Amazon best-selling book, “The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio”. In addition, he runs masteryourmix.com where he has helped teach thousands of aspiring studio engineers how to create pro-level recordings and mixes from their home studios.

My name is Daniel Oldemeier and I work from DocMaKlang studio in Osnabrück, Germany. Let me help you make your music rock hard, make people dance or sing along and evoke just the right atmosphere. As producer, mixing- and mastering engineer it’s my duty to use my experience across various genres to transform your musical visions into audible sonic waves. I’ll polish your songs until they shine! Besides my university education as audio professional I use my long-lasting working experience in music labels and publishers to bring your songs to the next level.

With 30+ years in the business, working for and collaborating with a multitude of commercially successful artists, producers, DJs, film composers and advertising agencies, I am always looking for fresh projects that challenge my audiophile mind. In my own studio, I usually write & produce in Ableton Live, and record, mix and master in ProTools. Happy in either environment, I sometimes use both concurrently via Rewire. I did a *lot* of remixing in the 90s and 00s, and still enjoy doing so. Leftfield and experimental sound design have always been favourites of mine, as well as composing to picture. Composition for TV advertising in New York, and collaboration on a number of feature films with the named composers brought plenty of sound to picture experience, and I taught Audio Post Production at Full Sail, Orlando. I started mastering for a number of random projects a while back, and the constantly happy clients have push me to also offer this service. Try it out for yourself!

I spent the first 10 years of my career working at a studio privately run by dance/rock pioneers Apollo 440 in London. Now working freelance, I draw on all the knowledge and experience I gained working with countless singers/bands/artists/producers (both established and new) on all sorts of different projects. Mixing is not simply a technical procedure, it's a creative process. You can get a song sounding good a million different ways using all kinds of techniques but does it make the listener feel the way it's supposed to? I am a perfectionist. Even when I know "perfect" isn't something that's actually possible most of the time, that doesn't stop me striving to achieve that for myself and more importantly the artist I'm mixing music for. If that means working on a track for a while, deciding it's not working and starting again with a new approach..then I'm not afraid to do that. www.akmix.co.uk

I am a veteran multi-instrumentalist with 15+ years of experience ranging from vocals, guitar, bass, to producing, engineering, and arranging in my studio South First Sound in WIlliamsburg Brooklyn. My remaining time is spent writing and touring full-time with my band The National Reserve. Our music has appeared in multiple television productions for NBC, CBS, and FX.

A Mix Engineer based in London, Aaron has engineered on records including Drake's "Do Not Disturb" and Raye's "Love Me Again". His unique and clear mixes has kept him in demand with numerous clients. For the last 10 years, Aaron has worked across the music industry, from Grime to Pop, and Hip-Hop to Rock. He's recorded and mixed all sorts of styles and genres and continues to be in demand for his services. His work at London's biggest studio helped him fine-tune his skills and allowed him to go on to work with some of the biggest artists in the world, including Frank Ocean, Little Mix, Harry Styles, Kanye West, and Mark Ronson. In addition to his work for Major Labels, Aaron has always enjoyed working with independent and up-and-coming acts. He can work on your records too, and bring it alive with the mix and master you need. "My mixes are always unique to the Artist's vision. I'm helping shape and create the sounds and spaces that the Artist hears, as it's their song and story to tell. I'm here to help them create that". Contact Aaron for your song and get him to take your songs to the next level.

Matt Gerhard is a Producer/Engineer/Multi-Instrumentalist based in Austin, TX. Matt is the Co-Owner of Hen House Recording and the Staff Engineer at Public Hi-Fi Studios. Over the past decade I have had the pleasure to work with artists like Spoon, !!!, Tennis, Future Islands, and Knife in The Water. As well as many leading producers including Jim Eno, Joe Chiccarelli, Charlie Sexton, Steve Berlin, Jack Lawrence, and Rick Hart. Q&A Q: Analog or digital and why? A: Most mixing projects lately are a combo of the two. I mix in the box and print outboard gear and effects. Then the mix is printed through my API 8200 summing mixer. I would love to do more all analog tape sessions, because it's a fun and different workflow but realistically the budgets and time constraints are limited. Q: What do you like most about your job? A: Getting to work with all kinds of people and personalities in many different styles of music. I think that really keeps me fresh. Q: What's the biggest misconception about what you do? A: That mixing and mastering is magic and everything can be fixed. Don't get me wrong a lot can be fixed, but there is no substitute for great source material. The job of mixing and mastering is to enhance the song. Q: What questions do you ask prospective clients? A: What direction do you want the mix to go? On a 1-10 scale, 1 being pretty close to the rough mix but a little more polished/hi-fi or 10 pretty unrecognizable from the rough mix? Q: Can you share one music production tip? A: Listen! Be fearless and experiment. Turn that delay all the way up maybe it'll work, maybe it won't? You don't know unless you try. Also don't be afraid to kill your darlings. Q: What type of music do you usually work on? A: All kinds, thats my favorite part of the job Q: What do you bring to a song? A: Fresh ears and a new perspective Q: What's your typical work process? A: For mixing, I try to learn as much about the song as I can. I have a detailed conversation with the artist and try and get an idea of the vision for the song before I start. A rough mix is always helpful I listen to that a couple of times and right down my ideas and notes. Once I feel like I'm at a got place with the mix I'll send it to the artist for notes and then revise based on any notes they have until they're happy with the mix. Q: What other musicians or music production professionals inspire you? A: Oh boy, lots of people. I really love people like Tchad Blake and Dave Fridmann who are making wild sounds you've never heard before. As well as folks who came up more in the "documentarian" engineering world. People like Sam Phillips, Tom Dowd, Steve Albini who are trying to capture the performance in the room. Q: Describe the most common type of work you do for your clients. A: Mixing, Mastering, Editing.

From recording live stand-up albums for Comedy Central, to recording concerts on a stage floating in the middle of a lake for Reebok, I've done a bit of everything, but I specialize in working with acoustic instruments and singers. I love recording things in acoustically intriguing environments and long walks on the beach. Contributor to Pro Tools Expert, Warm Audio Artist, and member of SoundGirls, AES, and a voting member of the Recording Academy.

Hey there! I'm an LA-based producer, musician, and mastering engineer. I've mastered thousands of tracks for Disney and Warner artists, in addition to film/tv properties like Star Wars, Marvel, John Wick, Fast and the Furious, and This Is Us. I've recorded and mixed hundreds of tracks and even produced the music for an Oscar-winning Pixar film. In addition, I've toured the world a number of times and helped build some of the awesome software we all use, and am a voting member of the Recording Academy. Maybe most importantly, I've taught thousands of people remotely over the past 15 years about studio production and software (Ableton, Pro Tools, etc), including at some of the biggest music colleges in the US.

I have been an in-house engineer for 10 years, at Parr Street Studios in Liverpool and Cube Recording in Cornwall, UK. I love listening AND working on music from many different genres. A lot of mix engineers today use mix templates to speed up their mixing process - I choose against this - I always approach mixing artist's tracks differently, which has always got me better results! All I ask for is a rough mix of your track and 'reference' tracks for mixing. Show me a song you wish your song to be mixed like!

My name is Aidan Thillmann, I'm a mixer based in Los Angeles, CA. I have trained and assisted under Grammy-nominated mixing engineer James Krausse, working on projects by Ruston Kelly, Carly Rae Jepsen, Gungor, Overcoats, Eagle-Eye Cherry and more. I have now begun freelance mixing with the tools and skills James taught me, and love mixing for new and upcoming artists. Every song I work on gets the same care and attention no matter the situation, and I will never cut corners in making your music sound the best it can.

Need your song ready for charts, radios and festivals, clubs? 3x Platinum and 3x gold, my works accumulated over 500 Million Streams accross all platforms. Meticulous and knowing the industry standards and expectations, I will give your production the punch, warmth, detail and clarity it needs. I'm an Abbey Road Certified engineer and I provide services like Mixing, Mastering, Production, Editing and more... I specialize in Pop, Dance and Hip-Hop, but I'm trained to all genres, from Top 40 Pop, Indie, Rock to Classical Music, I've done it (almost) all :-) I'm passionate, meticulous, and obsessed with sound quality, I put my heart and soul in every project I work on, As I'm used to work with major labels and artists, I know the top tier of the industry's expectations. Since 2017 I've worked with and released songs for: Alan Walker (Sony Music), Taylor Swift (Universal), Kungs, Breathe Carolina (Spinnin Records/WMG), Broken Back + Klingande (Ultra Music), Reynolds Management (Imagine Dragons/The Killers),

My productions got supported/played at festivals and radios all over the world by big names like David Guetta, Afrojack, Diplo, Noisia, Alison Wonderland, Zeds Dead, Excision, Flux Pavilion, Zomboy, Koan Sound etc. but also used into the BBC One TV shows. With my self/label releases (Universal, One Love, Never Say Die, etc) I got millions of streams across the streaming platforms. I produced a Certified Gold Record in Italy. I am specialised into the electronic music production (dubstep, drum&bass, house, techno, hip hop beats, bass) from the first draft to the final master. My mastering process is the result of 20 years of research and experience. I will make your track sound loud, clean, wide, warm, at its best quality possible, from the huge festival sound system to the portable speaker. I offer unlimited revisions constantly sending updates, we will arrive together at the final result step by step. - Master: few hours - Mix&Master: 1-3 days - Production (+Mix&Master): 2-4 weeks